Christopher Logue, Alexander Pope, and the Making of War Music.
She also draws parallels between Twombly’s idiosyncratic methods of appropriation (his deliberate departures from the traditional spellings and narrative elements of the text) and those of contemporary translators and interpreters of Homer such as Christopher Logue, whose War Music includes giant type to signify a god’s appearance on the battlefield, and Alice Oswald’s Memorial, which.
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Hitler's Army: Soldiers, Nazis, and War in the Third Reich (Oxford Paperbacks) eBook: Omer Bartov: Amazon.co.uk: Kindle Store.
The King’s Speech, however, is the film that most consciously and explicitly engages with its Shakespearean influence, embodied in the character of George VI’s Australian speech therapist Lionel Logue, played by Geoffrey Rush.Screenwriter David Seidler cleverly exploits the biographical fact that Logue was an amateur Shakespearean actor to weave the Bard’s words and themes throughout the.
Christopher Logue's poem was first published in Harold Berliner's deluxe edition of War Music (Nevada City, California, 1999). It is reprinted here for the first time as fitting homage to Braudel, for which privilege I thank my friend Christopher Logue.
The King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler. Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush.The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him.