Essay: Frankenstein, Dracula and the Uncanny.
The uncanny, by Freud. Essay by thegame, October 2003. download word file, 2 pages, 5.0. Downloaded 51 times. Keywords emotions, Sigmund Freud, Freud, concentrate, Sensation. 0 Like 0 Tweet. The uncanny is the subject of aesthetics because it has to do with a certain kind of feeling or sensation with emotional impulses. But in general.
Taking its cue from the resurgence of figurative sculpture in the late 1980s and early 1990s, and from Sigmund Freud's essay 'The Uncanny' (1919), the exhibition brings together mannequin-related art works, mostly from the 1960s onwards, with objects from disparate cultural contexts that engender a similar sense of unease in the viewer: medical dolls, anatomical waxworks, religious statues.
The subject of the 'uncanny' is a province of this kind. It is undoubtedly related to what is frightening - to what arouses dread and horror; equally certainly, too, the word is not always used in a clearly definable sense, so that it tends to coincide with what excites fear in general.
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Freud's essay on “The uncanny” (1919) is an exploration of what he terms a relatively neglected province of the Aesthetic, and concentrates upon works of Art that provoke feelings of unease, dread, or horror.
In the essay by Freud Sigmund, the concept of the uncanny refers to the fearful reaction to unusual or strange happenings that result into one experiencing cold chills. As Freud later describes, this uncanniness is related to a familiar memory that was known before.
Freuds Concept of the Uncanny When a person experiences chills or goose bumps as a reaction to something strange or unusual, they are being affected by a sense of uncanniness. The psychoanalyst Sigmund Freud endeavored to explain this feeling of uncanniness in his essay entitled The Uncanny.